O'Neill would later deeply resent his insecure childhood, pinning the family's many problems, including his mother's drug addiction, on his father. Educated at boarding schools, O'Neill gained admission to Princeton University but left after only one year to go to sea. He spent his early twenties living on the docks of Buenos Aires, Liverpool, and New York, sinking into an alcoholism that brought him to the point of suicide. Slowly O'Neill recovered from his addiction and took a job writing for a newspaper.
Additional Information In lieu of an abstract, here is a brief excerpt of the content: O'Neill discovered Nietzsche's writings in the spring of I tan into it, through the bookshop of Benjamin Tucker, the old philosophical anarchist, when I was eighteen and I've always possessed a copy since then and every year or so I reread it and am never disappointed, which is more than I can say of almost any other book.
In his Nobel Prize acceptance speech he paid homage to Nietzsche as his mentor, acknowledging the importance of his influence as well as that of Sweden's own son, Strindberg: It is to be said first that documentation of O'Neill's earliest encounter with Nietzsche's exegesis on the origin of tragedy is rather difficult to assemble.
As noted earlier, specific evidence for the date of a first reading is unavailable. Yet it is difficult to believe that the young O'Neill, a confirmed Nietzsche enthusiast and already determined in to become "an artist or nothing,"U would wait more than a decade before consulting his favorite philosopher on the subject of tragedy and art.
It now seems clear that what most fascinated O'Neill in The Birth of Tragedy was Nietzsche's view of the origin and symbolic meaning of Greek tragedy which Nietzsche associated with a spirit of irrational ecstasy growing out of the performance of a chorus of satyrs celebrating the ritual destruction and reunification of their god, Dionysus.
To Nietzsche the Dionysian rituals of the Greeks symbolized an intuitive apprehension of what Schopenhauer had described as the eternal struggle of the suffering "world will.
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You are not currently authenticated. View freely available titles:The emphases varied, from myth to psychology to politics, as did their dramaturgy and dramatic language, but the plays on Greek themes by Anouilh, Cocteau, Eliot, Giraudoux, Hauptmann, Hofmannsthal, Jeffers, and O’Neill have had at best only a mixed reception.
Oct 19, · Sophocles Essays and Research Papers | barnweddingvt.com StudyMode - Premium and Free Essays, Term Papers & Book Notes. Essays; Sophocles Essays & Research Papers.
Best Sophocles Essays. Sophocles - Words. 1. Where and when did Sophocles live? Athens, 5th century BC 2. The philosopher Aristotle wrote an influential text on drama. Discussion of themes and motifs in Eugene O’Neill's Long Day's Journey into Night.
eNotes critical analyses help you gain a deeper understanding of Long Day's Journey into Night so you can excel. Advanced Placement English Literature and Composition. Mourning Becomes Electra. Eugene O’Neill.
Oedipus Tyrannos, Sophocles. Othello, William Shakespeare. Timed essay sample question. A recurring theme in literature is “the classic war between a passion and a responsibility”.
For instance, this could be a personal cause, a love. symbolism in the mourning becomes electra. fences. blessing way art and symbolism. dracula resurrection. seacreatures symbolism. symbolism of rose colors. smoke flame symbolism. oldsmobile vista cruisers for sale.
rose for emily essay symbolism. the symbolism in hamlet. symbolism in the scarlet ibis. This theme offers considerable insight into their concept of the American family.
not God's--man's feeble striving to understand himself. to exist for himself in the darkness! It's a symbol of his life--a lamp burning out in a room of waiting shadows! (p. ) In In Mourning Becomes Electra.